Musée would like to congratulate Nan Goldin on her recent Lifetime Achievement Award from the Center for Photography at Woodstock!
Musée would like to congratulate Nan Goldin on her recent Lifetime Achievement Award from the Center for Photography at Woodstock!
My father taught me. He’d stretch against a tree, paint with berries. He showed me how to live.
Control is something that we find ourselves under, and the power where it emanates is so distant that it makes us look smaller than we are.
The world as he knew it would shift soon, and he had no idea what shift was coming.
The struggles around women’s reproductive rights have been ongoing and will continue to proceed in fits and starts.
They were waiting for the bus, watching the dust roll with the wind. He followed his father’s movements.
“I think that when everything is too placid and quiet in the picture, I think it can get a bit mundane and boring.”
The little cries picked up in speed and volume, though the animal was still unseen. “It’s okay, little one. It’s okay.”
We are still condemning the art world for its lack of ethics, tokenism, and other bad behavior.
I believe a certain form of ignorance can be empowering. Not knowing can be a motor for curiosity and in turn, fuel creativity.
My feet moved step by step towards their destination. I couldn’t wait to find out what it was.
I realized two important things: that I feel uneasy when I intrude upon people and how important the physical spaces in which people meet are to me.
In honor of the opening of Vince Aletti’s show The Drawer at White Columns this week, we’re sharing his guest curation from Musée Issue No. 24 — Identity.
Simpson’s work culls from our shared history, echoing themes and power dynamics within gender, race and culture and how these elements combine in our manifestation of memories and creating identity.
I felt my classmates move around me, but I swayed with my heart. I wasn’t quite ready for the patterns.
"I’m not a savior. I’m just me, and I’m just doing my thing."