There appears to be an emphasis on eyes in some of your images. Was this pattern intentional, and if so, what do you explore thematically through a gaze?

That’s interesting. It’s never a calculated intention to concentrate on the eyes of a subject. Through my process of shooting, although I do direct, I tend to follow the lead of my subjects, a visual form of conversation, and in that manner, I suppose the shot will eventually lead up to the gaze. Often there can be a whole story in the gaze.

What are some of the influences or inspirations for your images?

As my work is rooted in classical timelessness and stories, this is influenced by my favourite era of photography; old family photos and vintage found imagery from the 20th century. From a young age, I would pore over old photos of my family. The aesthetic, the colours, the “snapshot” vibe of found photos have always lingered with me. The Japanese photographers of the 60’s era, especially Daido Moriyama, have also been a massive influence, my photos tend to gravitate toward that raw black and white high contrast impact.

How do you use photography to gain an understanding of the world or even your own identity?

Photography is my expression; it is how I see the world. Everything that I capture is an extension of my feelings, my words, my view about everything that surrounds me and of myself.